Every day is opening night.

Press Contacts:
Rick Miramontez / Marie Bshara / Kendall Edwards / Morgan Zysman / Bailey Everett
rick@omdkc.com / marie@omdkc.com / kendall@omdkc.com / morgan@omdkc.com / bailey@omdkc.com
212 695 7400

FOR IMMEDIATE RELEASE, PLEASE

LINCOLN CENTER THEATER
ANNOUNCES COMPLETE CAST AND CREATIVE TEAM FOR
“A WOMAN AMONG WOMEN”
A NEW PLAY
WRITTEN BY NEW YORK TIMES BEST-SELLING AUTHOUR
JULIA MAY JONAS
AS REHEARSALS COMMENCE TODAY 

DIRECTED BY SARAH CAMERON HUGHES

PREVIEWS BEGIN SATURDAY, MAY 16
OPENING NIGHT SET FOR THURSDAY, JUNE 4
AT LCT3’S CLAIRE TOW THEATER 

HEADSHOTS CAN BE FOUND HERE

Rehearsal photos by Laurel Hinton HERE.

New York, NY (April 21, 2026) – Lincoln Center Theater announced today the complete cast and creative team for the new play, A Woman Among Women, written by New York Times best-selling author Julia May Jonas (Netflix’s “Vladimir,” LCT3: Your Own Personal Exegesis) marking her return to LCT3, as rehearsals commence today. Directed by Sarah Cameron Hughes, A Woman Among Women will star Brittany K. Allen as ‘Christine,’ Gabriel Brown as ‘Roy, Tina Chilip as ‘Tina,’ Zoë Geltman as ‘Grace,’ Morgan Siobhan Green as ‘Rida/Trisha,’ Hannah Heller as ‘Sarah,’ Lucy Kaminsky as ‘Tammy, Drew Lewis as ‘Lane,’ and Dee Pelletier as ‘Cleo.’

Performances begin on Saturday, May 16, with an official opening night set for Thursday, June 4 at LCT’s Claire Tow Theater (150 W 65^th Street).

To download cast headshots, please click here.

The creative team for A Woman Among Women includes Brittany Vasta (Set Design), Wendy Yang (Costume Design), Jeanette Oi-Suk Yew (Lighting Design), Kate Marvin (Sound Design), Brian Cavanaugh-Strong (Music and Music Direction), and The Telsey Office (Casting). Siena Yusi serves as the Stage Manager.

Tickets are currently on sale at LCT.org.

Hailed as “a fresh story freshly told” by The New York Times (Critic’s Pick) – A Woman Among Women arrives at LCT3 this season in a bold new iteration, in partnership with The Bushwick Starr and New Georges.

It’s a summer day in Northampton, Massachusetts and Cleo, founder of the local women’s wellness center, holds court in her backyard. As friends, family and neighbors pass through, the air hums with a tension that may destroy the community she’s worked so hard to build.

With A Woman Among Women, playwright Julia May Jonas delivers a sharp, subversive counterpoint to Arthur Miller’s All My Sons. “Fascinating, playful, and ultimately wrenching” (Variety), Jonas offers a new take on the American tragedy.

A Woman Among Women was originally developed with and produced by The Bushwick Starr and New Georges, and world premiered in the 2024-25 season.

A Woman Among Women is supported by The Harold and Mimi Steinberg Charitable Trust, with additional generous support by the Broadway Women’s Fund.

Support for LCT3 is provided by the Howard Gilman Foundation, the Helen Gurley Brown Foundation, the Blanchette Hooker Rockefeller Fund, and members of the LCT3 Council.

Endowment support for LCT3 is provided by Daryl Roth, James-Keith Brown and Eric Diefenbach, and The Judith Champion Playwrights’ Vision Fund and Mel Litoff.

Season Support is generously provided by Daryl Roth, Denise Littlefield Sobel, and American Airlines.

The 2025 – 2026 LCT3 season is dedicated to Leonard Tow, whose leadership, generosity, and vision helped shape LCT3.

BIOGRAPHIES

Brittany K. Allen (Christine) is a Brooklyn-based writer and actor. Recent credits include Have You Met Jane Goodall & Her Mother? (Ensemble Studio Theatre), Deep Blue Sound (Clubbed Thumb), The Good John Proctor (Bedlam Theatre), True Right (Ars Nova’s ANTFest), Gloria: A Life (DR2), and Redwood (Ensemble Studio Theatre, Portland Center Stage), which she also wrote. She’s developed new and newfangled work with/at Clubbed Thumb, New Georges, The Civilians, Primary Stages, The Flea, Classic Stage Company, Colt Coeur, and New York Stage and Film, among other places. She is over the moon to be making her LCT3 debut.

Gabriel Brown (Roy). LCT: The City of Conversation (dir. Doug Hughes), The Mystery of Love & Sex (dir. Sam Gold). NY Theater: A Woman Among Women (The Bushwick Starr, NY Times Critics Pick), Bobbie Clearly (Roundabout), Love & Money (Signature Theatre), White Girls Gang (Playwrights Horizons- FX Fest). Regional: Big Data (American Conservatory Theater; SFBATCC nomination; dir. Pam MacKinnon), All’s Well That Ends Well (The Old Globe), Joe Turner’s Come and Gone (Center Theatre Group; Ovation Award; dir. Phylicia Rashad), Today is My Birthday (Yale Rep), Walden (TheatreWorks Hartford; NY Times Critics Pick). TV: Series Regular on Issa Rae’s ALLBLK original series “Minimum Wage,” “The Good Fight” (Paramount +), and “Madam Secretary” (CBS). Training: University of North Carolina School of the Arts, LAMDA. gabriel-brown.com  \

Tina Chilip (Tina). Most recently in Jesa (Public Theater/Ma-Yi Theater). Other Off-Broadway: A Delicate Balance (Transport Group/NAATCO), Knight of the Burning Pestle (Fiasco/Red Bull Theater), Twelfth Night (Fiasco/Classic Stage Company), Mothers (Playwrights Realm), House Rules (Ma-Yi Theater), Golden Child (Signature Theater), A Dream Play (NAATCO). Regional highlights: Yale Rep, The Old Globe, The Huntington, Guthrie Theater, Berkeley Rep, Hudson Valley Shakespeare, Actors Theater of Louisville. TV: “Jessica Jones,” “Law & Order: SVU,” “FBI: Most Wanted,” “Elementary,” “It’s Bruno,” “Law & Order: Organized Crime.” Film: Nonnas, Doctor Doctor. MFA: Brown/Trinity. Proud company member of Fiasco Theater and The Actors Center.

Zoë Geltman (Grace) is a writer and performer. Select performing credits include A Woman Among Women (The Bushwick Starr), Kara and Emma and Barbara and Miranda (The Tank/New Georges), A(U)NTS! (The Brick), Remember This Trick (Target Margin), Spindle Shuttle Needle (Clubbed Thumb), The World My Mama Raised (Clubbed Thumb), PIONEERS #goforth (JACK), Evelyn (The Bushwick Starr), and The Return (CPM Gallery). Her plays include A(U)NTS! (The Brick/New Georges/The Hearth/Immediate Medium); PUFFY HAIR (Vancouver Fringe Festival); Lolly, Lolly, Lolly (2020 National Playwrights Conference semi-finalist); This Dump Is a Dump (Bushwick Starr Reading Series); A Safe Business (La Femme Theatre Productions); and SEA FRAUD (The Brick). She is a 2026 Brooklyn College Playwriting MFA candidate. www.zoegeltman.com.

Morgan Siobhan Green (Rida/Trisha). Broadway: Be More Chill. National Tours: Hadestown (Original Company, Eurydice). Regional and Off-Broadway: Ceremonies In Dark Old Men (Negro Ensemble Company/Peccadillo Theater Co), Fish (Keen Company/Working Theater), White Girl In Danger (Secondstage, Caroline), Moby Dick (American Repertory Theatre, Cambridge), Between The Lines (Kansas City Repertory Theatre), Folk Wandering (ART NY), Avalanches (Because I’m Me), Dick Johnson Is Dead (Billie Holiday). TV: “The Bold Type” (Zuri). Thanks to The Mine and Rebel Creative Group! For my mom always. Pip and Vernies mom. @morgansiobhang www.morgansiobhan.com

Hannah Heller (Sarah). This is Hannah’s Lincoln Center premiere. Credits include A Woman Among Women (Bushwick Starr). Co-creator of The Nutcracker Suite (City Center, The Joyce, National Tour), Elements of Oz (Skirball Center), Strange Window: The Turn of the Screw (BAM). The Reception (HERE Arts Center). FILM: Lemon (dir. Janicza Bravo), The Bride (dir. Maggie Gyllenhaal); UPCOMING: Love is not the Answer (dir. Michael Cera).

Drew Lewis (Lane) is an actor & screenwriter. Stage: A Woman Among Women (Bushwick Starr); Redwood (EST); The Joy of Painting (Clubbed Thumb); India Pale Ale (MTC); Romeo & Juliet, Love’s Labour’s Lost (HVSF). Drew has developed work with NYTW, The Public, Playwrights Horizons, MTC, ACT, Primary Stages & frequently at EST. Screen: CIA; Succession; Mozart in the Jungle; Blue Bloods; Alternatino; and ‘Dr. Hack’ on Hack My Life. Features currently in development with Sight Unseen and Likely Story. thedrewlewis.com.

Lucy Kaminsky (Tammy) is an actor and dancer born and raised in Brooklyn. She originated roles in the Julia May Jonas plays A Woman Among Women and Evelyn, both premiering at The Bushwick Starr. She has performed in New York and abroad creating original work with choreographer Juliana May: Optimistic Voices (BAM and MCA Chicago in July 2026), Family Happiness (Abrons Arts Center, The Chocolate Factory), Folk Incest (Abrons and Impulstanz, Vienna). She was recently featured in the MGMT music video  “When you Die.” She plays and tours as a back up singer for her sister, Lily McQueen. Favorite film credits include: Invention, A Different Man, The Sweet East, Together Together, The Adults and The Plagiarists. 

Dee Pelletier (Cleo). Broadway: The Minutes, August: Osage County. NYC: A Woman Among Women (Bushwick Starr/New Georges); Not Not Jane’s (Clubbed Thumb Summerworks); Oh, Honey (Ugly Face @ Little Egg); Night of the Iguana (Signature/La Femme); Women Without Men (Mint Theater); BUG (Barrow Street); Axis Theatre Company. Regional: Scrooge in A Christmas Carol (McCarter Theatre); Third (Hangar Theatre); Good People (Geva Theatre & Indiana Repertory Theatre); Grace, or The Art of Climbing (The Denver Center); Cymbeline; Hamlet; Hedda Gabler (Shakespeare Theatre Co); The Syringa Tree (Kitchen Theatre, Vermont Stage); Cyrano (Opera House Arts). Film: Major Barbara TV: “Succession,” “Dr. Death,” “Orange Is the New Black,” “Star Trek: Discovery,” “Instinct,” “Madam Secretary,” “Elementary,” “Girls,” “Law & Order.” Audiobook: Murder in the Maple Woods by Claire Ackroyd. Training: Trinity Rep Conservatory, The Actors Center Company Member.

Julia May Jonas (Playwright) is a writer and founder of the theater company Nellie Tinder. Recent plays include Your Own Personal Exegesis (LCT3) and Problems Between Sisters (Studio Theatre, Washington, DC). Problems Between Sisters, along with A Woman Among Women, are from her five-play-cycle, All Long True American Stories, in which she responds to five canonical male-experience plays with new works for other experiences (mostly female). Jonas is the author of the novel VLADIMIR which was named a “Best Book of 2022” by Time Magazine, People Magazine, New York Public Library, Vogue, New York Magazine, NPR and has been translated into 16 languages. She is the creator, writer and showrunner of the limited series adaptation of the novel, starring Rachel Weisz, which premiered on Netflix in March, 2026. Her second novel, DIANA, is forthcoming from Avid Reader press in Spring, 2027. She has taught at Skidmore College and NYU and lives in Brooklyn with her family.

Sarah Cameron Hughes (Director) is a director of new plays, radical adaptations, and devised work. Recent: Jewish Plot by Torrey Townsend (The Brick/Luke Katler), Daphne by Renae Simone Jarrett (LCT3), Galatea by MJ Kaufman (Brooklyn Bridge Park). Sarah is an Associated Artist of New Georges and Target Margin, worked for many years with Elevator Repair Service, has taught at Dartmouth, NYU and SUNY Purchase,  and was previously Director of Artistic Programming at Theatre Row. Clubbed Thumb Directing Fellow, WP Theater Lab Artist, Drama League Beatrice Terry Resident, O’Neill National Directors Fellow, Mercury Store Lead Artist. She lives in Brooklyn with her family.

Brittany Vasta (Set Design) is a Brooklyn based scenic designer for live performance. Some recent projects include EXECUTION OF JUSTICE, written & directed by Emily Mann (Chautauqua Theatre) and the NY Off Broadway premier of Kate Hamill’s play THE LIGHT AND THE DARK (Primary Stages).  Previous collaborations include work at Signature Theatre, WP Theatre, The Bushwick Starr, JACK, Theatre Row, The Duke, The Juilliard School, Berkeley Rep, Syracuse Stage, Portland Center Stage, Resident Ensemble Players, Portland Stage Company, Kansas City Rep, New York City Center, among others. Drama Desk Nomination for world premier of Dave Malloy’s OCTET. MFA, NYU. USA 829 member. brittanyvasta.com

Wendy Yang (Costume Design) is an Emmy-nominated costume designer for television, film, and theater. Screen: Caper, The Strange Dark, Rain Reign, Send A Scare (co-designer with Chris Rumery), and Fallout (associate and co-designer with Amy Westcott). Theater: Magnificent Bird and Book of Travellers (Playwrights Horizons), Your Own Personal Exegesis (LTC3), and the original staging of A Woman Among Women at The Bushwick Starr. Wendy is also the founder of The Pearl, a movement studio in The Bronx centered on community, ritual, and the lived experience of the body. www.wendyyangcostumes.com

Jeanette Oi-Suk Yew (Lighting Design). LCT3: Your Own Personal Exegesis, The Nosebleed. Broadway: Kimberly Akimbo, The Thanksgiving Play. Off-Broadway: The Connector (MCC), Wine in the Wilderness (CSC), Chinese Republicans (Roundabout), Richard II (Red Bull), Oratorio for Living Things (Signature), cullud wattah (The Public). Regional: A Wrinkle in Time (Arena Stage), Macbeth in Stride, King Lear and Merry Wives (STC), Wizard of Oz (CTC), The Odyssey (A.R.T.). Other: An American Soldier (opera; PAC NYC), The March (Annie-B Parson and Big Dance Theater; PAC NYC), and David Byrne’s immersive Theater of the Mind (Goodman & DCPA). Awards: 2026 USA Fellow, Obie for sustained achievement in design, NEA/TCG. Jeanetteyew.com

Kate Marvin (Sound Design). Recent work: The Movement You Need (Steppenwolf Theatre), The Reservoir (Atlantic Theater Company), Yellow Face – co-composed/designed with Caroline Eng (Roundabout Theatre Company), Danny and the Deep Blue Sea (Lucille Lortel), Wolf Play (MCC/Soho Rep/Ma-Yi, Lucille Lortel Award for Outstanding Sound Design), Merry Me (New York Theatre Workshop with Caroline Eng), Jonah (Roundabout), Krymov’s Eugene Onegin with Patrick Dunning (La MaMa), Chimpanzee (HERE/Festival Mondial Théâtres de Marionnettes/Barbican with Avery Orvis). Upcoming: Henry VI, A Trilogy in Two Parts (NAATCO/The Public), Lincoln in the Bardo (The Metropolitan Opera). Associate Artist, Target Margin Theater. www.katemarvinsound.com

Brian Cavanaugh-Strong (Music and Music Direction) is thrilled to be returning to LCT. Theater: As a composer, his work has been developed at LCT, The Bushwick Starr, New Georges, Ars Nova, Montclair State New Works Initiative, American Opera Projects, and more. Music Editor: Death Of A Salesman (dir. Joe Mantello). Music Supervisor: Anthem/Homunculus (Topic Studios); Eh Dah? Questions For My Father (NYTW) and others. Music Director: The Disappearing Man (Cloud City); In A Sea Of Faces (Hypokrit Theatre Company) and others. Film (composer): My Adoring Husband; Rob & Lucy; Baladi. TV (composer): Sesame Street (HBO). He teaches at NYU’s Graduate Musical Theatre Writing Program.

Siena Yusi (Stage Manager) is a Brooklyn-based stage manager and theatre maker who specializes in the development of new works. Recent credits include: Cold War Choir Practice (MCC, Clubbed Thumb), Blue Cowboy, A Woman Among Women (The Bushwick Starr), This Is My Favorite Song (Playwrights Horizons), Usus (Clubbed Thumb), A Good Day to Me Not to You (Waterwell/Plate Spinner Productions), among others. Proud AEA member. BFA: NYU Tisch. www.sienayusi.com

THE BUSHWICK STARR is an award-winning nonprofit theater that provides a home for artists, community and bold new work. Since 2007, they have grown from a fledgling neighborhood arts space to a permanent and vital Brooklyn cultural center. The Bushwick Starr cultivates a loving environment where artists can make career-defining leaps, learners can explore their interests through theater, and audiences can be part of an experience that ignites new ideas and forges human connection. They are a place of welcome for all who wish to build community through stories, conversation, and artmaking. Through serving both emerging and established artists, and building a strong and meaningful bond with local schools and community centers, the Starr has become a pillar in Bushwick and a trusted NYC theater where audiences experience new, high quality work in a warm, intimate environment.

NEW GEORGES (Susan Bernfield, Artistic Director/Producer; Jaynie Saunders Tiller, Executive Director/Producer) advocates for an intergenerational ecosystem of exuberant theatrical minds, furthering fierce new works along with long-term wellbeing, expanding aesthetic boundaries and gender equity in tandem. Projects in our influential “weird or weird-ish” aesthetic have wit (in the classical sense), are funny (in any sense), idiosyncratic, often impossible, maybe messy. Artist resources and development pathways, grounded in collaboration and community, include our permanent work/experiment space, The Room. A pivotal home and launchpad since 1992, serving three generations of ingenious women+ artists, our impact reaches every corner of the culture. www.newgeorges.org  

ABOUT LINCOLN CENTER THEATER

LCT’s mission is to bring exceptional theater to life. Building on a legacy of artistic excellence, LCT strives to expand what is possible: to make the magic of theatre more palpable, empowering visionary artists and extending the invitation for the community to join in celebrating the power of live performance. To see that mission to fruition in a new era at the New York institution, commencing with the current 2025-2026 season, Lear deBessonet assumed the role of Kewsong Lee Artistic Director, alongside Managing Director Mike Schleifer, Executive Producer Barlett Sher, Stacey and Eric Mindich Producer Nicole Kastrinos, Executive Director of Development and Planning Naomi Grabel, and LCT3 Artistic Director and Producer Maria Manuela Goyanes.

Following the season launch on July 30, 2025 with the free Silent Disco Listening Party of the Warriors concept album by Lin-Manuel Miranda and Eisa Davis, deBessonet opened her inaugural season at the Vivian Beaumont Theater with a new production of her celebrated New York City Center Gala revival of Ragtime, the American premiere of the 2025 Olivier Award-nominated play Kyoto and the family opera Amahl and the Night Visitors at the Mitzi E. Newhouse Theater, The Comedy Series and Night Side Songs with LCT3 at the Claire Tow Theater, and An Evening with Kelli O’Hara in January at the Vivian Beaumont Theater. The season also includes upcoming productions of The Whoopi Monologues at the Mitzi E. Newhouse Theater; A Woman Among Women and The Reading Series with LCT3 at the Claire Tow Theater; as well one special gala concert presentation of Man of La Mancha at the Vivian Beaumont Theater.

Founded in 1985 by Board Chair Hon. John V. Lindsay, Executive Producer Bernie Gersten and Director Gregory Mosher, and led for 33 years by André Bishop, LCT is one of the leading nonprofit theaters in the country, producing an annual season of plays and musicals that have been seen by millions around the globe. It is one of 11 autonomous constituents of the Lincoln Center for the Performing Arts. Each year, the three theaters that make up LCT welcome nearly 300,000 audience members to its home on the Lincoln Center campus.

Over the last 40 years, LCT and its outstanding productions have received many of the highest accolades, including 87 Tony Awards, 97 Drama Desk Awards, 79 Outer Critics Cricle Awards, 33 Obies, 11 NY Drama Critics Circle Awards, and one Pulitzer Prize, as well as two finalists.

# # # #

www.lct.org
www.facebook.com/LincolnCenterTheater
www.instagram.com/lctheater
www.tiktok.com/@lctheater

www.omdkc.com
www.instagram.com/omdkc
www.facebook.com/omdkc
bsky.app/profile/omdkc.bsky.social