Every day is opening night.

THEATRE ASPEN TO PRESENT “GUYS AND DOLLS IN CONCERT” IN THEIR SEVENTH ANNUAL CO-PRODUCTION WITH THE ASPEN MUSIC FESTIVAL AND SCHOOL

Press Contacts:
Rick Miramontez / Ellie Detweiler
rick@omdkc.com / ellie@omdkc.com
212 695 7400

Theatre Aspen Contacts:
Britt Marden / Emily Taylor
britt@theatreaspen.org / etaylor@theatreaspen.org
970 925 9313

Aspen Music Festival and School Contact:
Jessica Moore
jmoore@aspenmusic.org
970 205 5075

FOR IMMEDIATE RELEASE, PLEASE

THEATRE ASPEN
AND
THE ASPEN MUSIC FESTIVAL AND SCHOOL
TO PRESENT
FRANK LOESSER’S
“GUYS AND DOLLS IN CONCERT”
IN THE MICHAEL KLEIN MUSIC TENT ON
MONDAY, JULY 13 AND TUESDAY, JULY 14 

DIRECTED BY
JEFF CALHOUN

CONDUCTED BY
ANDY EINHORN 

TICKETS ON SALE TO THE GENERAL PUBLIC
TUESDAY, APRIL 14

Aspen, CO (March 16, 2026) – The Aspen Music Festival and School (Alan Fletcher, Munroe President and CEO) and Theatre Aspen (Jed Bernstein, Producing Director) announced today their seventh annual co-production: a musical fable of Broadway, Guys and Dolls in Concert, directed by Tony Award-nominated Jeff Calhoun and conducted by Andy Einhorn, will be performed with a full orchestra on Monday, July 13 at 7:30 PM and Tuesday, July 14 at 7:30 PM in the Michael Klein Music Tent.

Guys and Dolls, the classic Broadway musical comedy about gamblers, showgirls, and unlikely romances, features music and lyrics by Pulitzer Prize and Tony Award winner Frank Loesser and a book by Jo Swerling and Abe Burrows, based on a story and characters of Damon Runyon. Filled with vivid characters and iconic songs, it follows a high-stakes bet that entangles a high roller and a straight-laced missionary in a rollicking story about love, luck, and the hustle of 1950 New York City.

Theatre Aspen proudly marks its seventh year of collaboration with the AMFS, continuing a partnership that has become a cherished tradition in the Aspen arts community, celebrating world-class talent and the magic of live performance, A collaboration which began in 2019 with a landmark concert version of South Pacific has since grown into a series of sold-out performances year after year. Together, the organizations have brought beloved musical theatre classics to life, including The Sound of MusicFiddler on the Roof, and My Fair Lady, blending Theatre Aspen’s artistry with the extraordinary musicians of the Aspen Music Festival and School.

“Our partnership with AMFS is a summer highlight, not only for our two organizations, but for the Roaring Fork Valley community. We are so pleased to be working with them again on this truly iconic musical,” stated Bernstein.

“We are delighted to partner once again with Theatre Aspen to present the Broadway classic Guys and Dolls In Concert this summer,” stated Alan Fletcher. “Productions like this bring together the very best of Aspen’s performing arts community while giving our students the extraordinary experience of sharing the stage with acclaimed Broadway artists.”

Guys and Dolls is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

More details, including casting, will be announced shortly.

Tickets go on sale on Tuesday, April 14 via the AMFS’s box office. To purchase, please visit aspenmusicfestival.com/events/buy-tickets/.

ABOUT THEATRE ASPEN

As Theatre Aspen enters its 43rd season in 2026, it continues to rekindle a sense of discovery in audiences who live in and visit the Roaring Fork Valley by producing big theatre in a small space with intimate storytelling. Each season, Theatre Aspen promises to bring world-class theatre dramatically closer, with innovative and imaginative productions of both plays and musicals. These productions are complemented by an assortment of community events, including cabarets, educational programs and performances, collaborations with other Aspen arts organizations, and new works presentations. Theatre Aspen also boasts an impressive Apprentice Program, one of the largest in the country, devoted to training the next generation of theatrical artists and administrators. For more information on Theatre Aspen, visit TheatreAspen.org or call (970) 925-9313.

ABOUT THE ASPEN MUSIC FESTIVAL AND SCHOOL

The AMFS is the United States’ premier classical music center for performance and education, presenting nearly 300 musical events during its eight-week summer season in Aspen. Under the leadership of President and CEO Alan Fletcher and Music Director Robert Spano, the organization draws top classical musicians from around the world for a rich combination of performances of orchestral works, opera, chamber music, recitals, contemporary music, works by new or previously unrecognized voices, popular genres, family events, and talks, competitions, and classes.

More than 450 music students from 40 U.S. states and 40 countries come each summer to play in four orchestras, sing, conduct, compose and study with more than 100 artist-faculty members who come from the orchestras of Los Angeles, New York, Chicago, Dallas, the Metropolitan Orchestra, and the leading conservatories and music schools like The Juilliard School, The Shepherd School of Music at Rice University, and The Colburn School. Students represent the field’s best talent; many have already begun their professional careers, and others are on the cusp.

Renowned alumni include violinists Joshua Bell, Sarah Chang, Midori, Gil Shaham, and Robert McDuffie; pianists Joyce Yang, Orli Shaham, Conrad Tao, Yuja Wang, and Wu Han; conductors Marin Alsop, James Conlon, Leonard Slatkin and Joshua Weilerstein; composers William Bolcom, Philip Glass, David Lang, Augusta Read Thomas, Bright Sheng and Joan Tower; singers Isabel Leonard, Jamie Barton, Sasha Cooke, Danielle de Niese, Renée Fleming, Dawn Upshaw and Tamara Wilson; cellist Alisa Weilerstein; guitarist Sharon Isbin; bassist Edgar Meyer; and former Secretary of State Condoleeza Rice.

BIOGRAPHIES

JEFF CALHOUN (Director) is a Tony Award-nominated director and choreographer. Broadway: Disney’s Newsies, Bonnie and Clyde, Jekyll and Hyde, Deaf West’s Big River, Brooklyn, Annie Get Your Gun, Grease, Tommy Tune Tonite!, The Will Rogers Follies, My One and Only. Off-Broadway: Between the Lines, Tappin’ Thru Life. West End: 9 to 5, High School Musical 1 & 2. Upcoming: Deaf West’s Elephant Shoes (Two River Theatre), A Complicated Woman.

ANDY EINHORN (Music Director). Leading Broadway music director and conductor Andy Einhorn most recently served as the music supervisor and musical director for the Broadway productions of Hello, Dolly! starring Bette Midler (Grammy nom, OBCR) and Carousel starring Renée Fleming (Grammy nom, OBCR). Einhorn’s previous Broadway music directing and conducting credits include Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s CinderellaBrief Encounter, and Sondheim on Sondheim. Other Broadway work includes Evita and The Light in the Piazza. Since 2011, Einhorn has served as music director and pianist for six-time Tony Award-winner Audra McDonald, performing with her at the New York Philharmonic, Boston Pops at Tanglewood, Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Chicago Symphony at Ravinia, Los Angeles Opera, Carnegie Hall, a recorded concert series at the Sydney Opera House, and others. They have recorded two albums together: Sing Happy: Live with the New York Philharmonic and Go Back Home. He served as the music director for HBO’s Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special Broadway Musicals: A Jewish Legacy on PBS. In 2019, Einhorn conducted Bette Midler and Marc Shaiman at the 2019 Academy Awards. He also music supervised and appeared on camera for the Emmy award-winning performance of “Eat Sh*t Bob” for HBO’s Last Week Tonight starring John Oliver. Recently, he has conducted concerts with Baltimore Symphony Orchestra, National Arts Centre Orchestra, Detroit Symphony, Vancouver Symphony Orchestra, Pacific Symphony, Cleveland Orchestra, and Aspen Music Festival and School.

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